Blogs & Videos: Object Conservation

Introduction to the Conservation of "Mummies: Images of the Afterlife"

  Traveling exhibits pose a challenge for museums, especially when particularly fragile objects such as mummies are involved. We want to share our objects and what we’ve found out about them with people outside the museum, but transporting the objects to other museums involves all kinds for risks – traffic accidents, malfunctioning forklifts, road vibration, and freezing winters to name just a few.

Field Museum Women in Science (FMWIS) Internships 2014 -- Madeleine Farris

Learn more about FMWIS intern Madeleine Farris, and her work with Emily Baca and Ryan Patrick Williams.  Madeleine's project, "Archaeological Study of Peruvian Materials in the South American Laboratory" involved working with ceremanics and pottery to learn more about Inca economy and society. 

Field Museum Women in Science (FMWIS) Internships 2014 -- Jessica Mohlman

Learn about Jessica Mohlman and her FMWIS project, “Southern Mexican Economic Botany”. Within the state of Oaxaca in southern Mexico, there is an excavation site by the name of El Palmillo, a hilltop terrace community which once held the residence of the Zapotec people. While this area was one of the driest in the Valley of Oaxaca, it had some of the largest populations after the Classic Period. The communities were able to survive due to drought resistant plants. These drought resistant plants were used for food, alcohol, medicine, and sources of fiber within this region.

Video: The Team

Meet the other members of this inaugural team and learn about what skills are needed for the upkeep of this important collection. Check back in on Monday for the final video in the series for a first-hand look at the backbone for the whole collection – the infrastructure. See what goes into installing the collection’s compactor units and see how these nuts and bolts do more than hold everything together.

Rehousing Sulka Masks

As a graduate student from the Buffalo State College Art Conservation Department, I am completing my summer internship at the Field Museum. I’m working in the Regenstein Conservation Lab with J.P. Brown, the Regenstein Conservator for Pacific Anthropology.  Our main project for the summer has been rehousing the Field Museum’s collection of Sulka dance masks from New Britain, Papua New Guinea

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